Showing posts with label models. Show all posts
Showing posts with label models. Show all posts

Thursday, 12 June 2014

POLE DANCING FOR MODELS


A model needs a number of attributes – appearance, costume and clothing, good hair styling and make up, discipline and dedication – all of which are valuable, but there seems to be something else that makes just that difference. It is what I would call “graceful agility” or “animation.” It may be sub-conscious but it shows in the facial and body postures and their ability to manipulate their appearance.

Now I like to work things out – what is it that gives a model this ability? Well, I may have found something to answer this question. Of the models I know there appears to be a link to a history of performing in some way, either in acting or dancing on stage, or in sport or gymnastics, perhaps only in their childhood and only in a minor way, but nevertheless they have developed their natural ability to “exhibit” in a controlled way.

So, it brings me to what a model can do about it. A colleague with whom I share our photography studio in Darlington, who is a model and a burlesque dancer, runs pole-dancing classes there and with her help I have looked at what pole dancing exercise could bring.

I expect there will be people who would have a snigger at the mention of pole-dancing. Up to just a few years ago pole-dancing mainly took place in strip clubs. But the image is changing and promoters of pole dance fitness competitions are promoting it as a legitimate form of dance and fitness. I am told that a good session on the pole can burn more calories than a good session in the gym, and will certainly provide more muscle tone.

Pole-dancing is now recognized and accepted as a form of performing art, a combination of dance and gymnastics involving acrobatic and aerobic movements around a vertical pole. There is already a growth of studios for the amateur and in addition a wide range of amateur and professional competitions are held now.
Without going into technical details such as what are inversions, spins, aerials and climbs on a pole, what it does develop is body flexibility, strength and body awareness. Combine this with transitional dance it helps in the interpretation of musical movement, teaching how to keep the body graceful. It is this gracefulness that makes the difference.
It is also good for your health. It provides cardiovascular exercise, keeps the bones strong, the body supple and flexible, and works many different muscle groups.
This may be beginning to sound like an advert. You could try a combination of swimming and ball-room dancing to achieve the same but it strikes me that this would be something beneficial for a model to try.
You also may be thinking so far that this would only apply to female models. Males also require this agility or animation in their tool-bag of abilities and males are taking up this form of exercise more and more.

Monday, 8 October 2012

HOW TO SOFTEN FRECKLES IN PHOTOSHOP

When we do our makeover shoots some clients like to have strong make-up applied and for a couple of hours feel a different person and some want a softer approach and just enhance their natural features.

Retaining a freckled complexion
For me freckles have a natural attractiveness, being of that skin colour myself. But some express their self-consciousness and ask what we do to cover over without it appearing to be overdone.

First we apply the make-up with a small amount of foundation and in near neutral colours only to enhance skin complexion and with eye shadow and lip colour to correspond. We will apply colour to bring out facial contours for example the cheekbones. This is certainly best done in the comfort of our make-up facility in our Darlington studio.

However we will generally finish off a photo in Photoshop and here is the method I use.

The purpose is not to remove the freckles altogether, after all it they are a natural feature and not altogether a bad one. So this technique aims to reduce the dominance of the freckles allowing the underlying structure of the face to come through. We are seeking to retain enough of the original look of the face rather than an overworked appearance.

Sampling Colour

Select the Eyedropper tool and check to see that the Sample Size (in the options bar) is set to average 3x3 or 5x5 pixels. Choose a part of the face to be brushed and click to select a colour of the skin to be applied. This will appear as a foreground colour

Brush Blend
Select the Brush tool and change the blend mode to Lighten, selecting the mode from the drop- down Mode list in the tool’s option bar. When the brush is in the Lighten mode Photoshop compares the paint colour with the pixels being painted over. Only the pixels that are darker are replaced with the paint colour, effectively lightening the area.

Opacity Change

In the options bar reduce the opacity. I prefer to reduce it to quite a low percentage, say 10%, and gradually cover over the area. Whatever you choose a setting of 100% would produce a result that was too smooth. Reducing the opacity allows a little of the old freckle texture to show through, maintaining the feeling of realism while reducing the freckles’ dominance.

Working over small areas depending on the shade and colour tone paint over the freckles until each part is to your liking.

Another way of lightening a face is to copy the image layer, change the blend mode to Screen and then reduce the opacity of the layer to say 40%, or whatever looks best, bringing back some of the original. Apply a layer mask to the Screen layer and using a black brush on the white background of the mask bring back the original or darker areas you want such as hair and clothing.